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From NYTimes.com ...
Chrisopher Lee dies aged 93
Christopher Lee, a towering British movie actor who lent his distinguished good looks, Shakespearean voice and aristocratic presence to a gallery of villains, from a seductive Count Dracula to a dreaded wizard in The Lord of the Rings, has died. He was 93.
His death was confirmed by an official for the Royal Borough of Kensington and Chelsea in London, The Associated Press reported.
Mr. Lee was 35 when his breakthrough film was released: Terence Fisher's British horror movie The Curse of Frankenstein (1957), in which he played the creature. But it was a year later, when he played the title role in Fisher's Dracula, that his cinematic identity became forever associated with Bram Stoker's noble, ravenous vampire, who in Mr. Lee's characterization exuded a certain lascivious sex appeal.
When the film was reissued in 2007, Jeremy Dyson of the British newspaper The Guardian wrote, "Lee's count is piercingly rapt, a fierce carnal evil burning behind his flashing eyes."
Even in his 70s and 80s, Mr. Lee's countenance could strike fear in the hearts of moviegoers. He played the treacherous light-saber-wielding villain Count Dooku in the Star Wars installments Episode II - Attack of the Clones (2002) and Episode 3 - Revenge of the Sith (2005). And he was the dangerously charismatic wizard Saruman, set on destroying the world of men", in the Lord of the Rings and Hobbit movies.
Mr. Lee was sometimes but not always philosophical about having been typecast. Of his roughly 250 movie and television roles, only 15 or so, he
contended in a 2002 interview with The New York Times, had been in horror films. And that included at least 10 outings as Dracula (sequels included Dracula: Prince of Darkness in 1966 and The Satanic Rites of Dracula in 1973), plus one as Frankenstein's monster and one as the Mummy.
Many of his other characters were terrifying men. He was the swashbuckling assassin Rochefort in The Three Musketeers (1974); the eerily manipulative title character in Rasputin: The Mad Monk (1966); the Bond villain Francisco Scaramanga in The Man With the Golden Gun (1974); a Nazi officer in Steven Spielberg's 1941 (1979); and a mad scientist in Gremlins II (1990). During the 1960s, he played the title role of the Chinese criminal mastermind in five Fu Manchu movies.
But Mr. Lee also played men of quieter power. He was the dying founder of Pakistan in Jinnah (1998); Sherlock Holmes's brother in Billy Wilder's The Private Life of Sherlock Holmes (1970); and Prince Philip in a television film, Charles and Diana: A Royal Love Story (1982). He even made a western, Hannie Caulder (1971), playing a peaceful family man.
One of his favorite roles was that of the hedonistic pagan leader who advocated free love, public nudity and human sacrifice in The Wicker Man (1973).
Christopher Frank Carandini Lee was born in London on May 27, 1922. He grew up in the fashionable Belgravia neighborhood, the son of Lt. Col. Geoffrey Trollope Lee and Contessa Estelle Marie Carandini, a member of an old Italian family.
His parents divorced when he was 6, and his mother married Harcourt George St.-Croix Rose, a banker who, until his financial failure in 1939, easily maintained their privileged existence. Mr. Lee recalled that lifestyle in his 2003 memoir Lord of Misrule, an adaptation of his earlier autobiography, Tall, Dark and Gruesome (1977). "It was true that we'd once failed to travel first class on the Blue Train," he wrote, "but that must have been a booking error."
Mr. Lee attended Eton and Wellington College, then joined the Royal Air Force, serving in intelligence and the Special Forces during World War II.
He had reached his full height, 6 feet 5 inches, as a boy. "I went through my school days in a constant state of embarrassment," he recalled in Tall, Dark and Gruesome. His height proved to be a problem in his acting career as well.
After the war, a cousin suggested that he try acting and introduced him to people at the Rank movie studio in London. Lest he tower over his fellow actors, Mr. Lee remained seated throughout his first film appearance, as a nightclub customer in Corridor of Mirrors (1948). That same year he was allowed to stand, as a spear carrier, in Laurence Olivier's Hamlet.
Exactly 30 years later, he had become so well known in the United States that he was asked to host Saturday Night Live. He declined to play Dracula in a sketch, but he did appear as Mr. Death, a cultured gentleman in a black hooded robe carrying a scythe, who has come to apologize to a little girl (Laraine Newman) for taking her dog, Tippy. Mr. Death refuses to take the blame for Jesus' crucifixion, however ("No, the Romans did that"), and mentions in passing that "Ingmar Bergman makes movies I'll never understand."
Mr. Lee lived in Switzerland and in California for many years but eventually returned to his native England. He was made a Commander of the British Empire in 2001, knighted by Prince Charles in 2009 and made a Commandeur de l'Ordre des Arts et des Lettres by the French government in 2011.
In the 1990s, he embarked on a low-key singing career with concerts and recordings, including arias, show tunes and, in 2010, what he characterized as "symphonic metal" (with the album Charlemagne: By the Sword and the Cross). He had hoped to study at the Royal College of Music but was rejected, in his 30s, as too old.
He continued acting into his 90s. In 2012, the year he turned 90, he appeared in Tim Burton's Dark Shadows and the first of Peter Jackson's Lord of the Rings prequels, The Hobbit: An Unexpected Journey, reprising his role as Saruman. He played Saruman again in The Hobbit: The Battle of the Five Armies the third movie in the trilogy.
In 1961, Mr. Lee married Birgit Kroencke, a model who was born in Copenhagen and later acted under the name Gitte Lee. They had a daughter, Christina.
Mr. Lee often said that he identified with Count Dracula, because they were both embarrassments to an aristocratic family. In Lord of Misrule, he expressed sympathy for his famous horror characters.
"In my mind Dracula, the Mummy and Frankenstein's monster are driven figures, unable to help themselves, eventually out of control like a runaway train," he wrote, "and consequently very much alone."